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Never underestimate the power of tracing paper as an artistic tool. I had a lot of fun getting the image just right.

I used a grid to enlarge the image on to Bristol paper for the final drawing.

Two things. First, I left the shadow on the beach in this study. I decided to take it out of the larger painting (more lies!) because of the composition which was one decision I'm still not 100% sure of.
Second, I love how I used a Melissa and Doug pad as my surface to attach my painting to. My life with kids is everywhere in photos of my studio space. I now have a drawing board but I didn't at the time.

This was early on when I was trying the thin layers. The sky looked ok, it was the sand that came later that just really didn't work.
Also, photographic evidence of shovel-gate.